t'en demandes beaucoup reve en bleu, c'est déjà énorme ce qu'a fait kristof, merci à lui.
[ vst / vsti free download ] - pc / mac - mise à jour régulière....
tekn wrote :
c'est déjà énorme ce qu'a fait kristof, merci à lui.
merci
dynamite_cowbell : http://www.delamancha.co.uk/dynamite_cowbell.htm
features
- 6 cowbells mapped to midi keys
- 5 velocity layers
- close and room mic levels
- damping control
- 5 bonus digibells
- 1 cow
features
- 6 cowbells mapped to midi keys
- 5 velocity layers
- close and room mic levels
- damping control
- 5 bonus digibells
- 1 cow
fr33some : http://www.delamancha.co.uk/fr33some.htm
fr33some is a 3-band, stereo splitter. You can use it to define 3 frequency ranges for low, mid and high frequencies, and output each band to a different stereo output, for individual processing.
fr33some is a free version of the splitter used in thr33some which is a stereo widening/narrowing processor
features
· 3 band splitter
· Split stereo input into 3 stereo outputs for low, mid and high frequencies
· 3 frequency ranges are user definable using non-linear knobs
· Zero phasing band splits using inversion rather than crossover
· free version of the splitter used in thr33some
fr33some is a 3-band, stereo splitter. You can use it to define 3 frequency ranges for low, mid and high frequencies, and output each band to a different stereo output, for individual processing.
fr33some is a free version of the splitter used in thr33some which is a stereo widening/narrowing processor
features
· 3 band splitter
· Split stereo input into 3 stereo outputs for low, mid and high frequencies
· 3 frequency ranges are user definable using non-linear knobs
· Zero phasing band splits using inversion rather than crossover
· free version of the splitter used in thr33some
entropy : http://www.delamancha.co.uk/entropy.htm
features
- change pitch of each oscillator on a tempo sync'd timescale to random pitch value
- maximum change +/- value is adjustable
- blip pitch of each oscillator at random intervals to random pitch value
- pitch change and blip can be quantized to nearest x semitones
- blip has adjustable probability
- blip maximum +/- value adjustable, duration adjustable in seconds
- route any/all oscillators to state variable filter
- route any/all oscillators and/or filter output to flanger
- blip flanger rate at random intervals to random value
- all randomising can be seeded and looped on 1 to 32 bar cycle
- each randomised parameter has a different seed, set from one master seed
- detune in octaves, semitones and cents
- adsr volume envelope
- mono/polyphonic switch with adjustable portamento
features
- change pitch of each oscillator on a tempo sync'd timescale to random pitch value
- maximum change +/- value is adjustable
- blip pitch of each oscillator at random intervals to random pitch value
- pitch change and blip can be quantized to nearest x semitones
- blip has adjustable probability
- blip maximum +/- value adjustable, duration adjustable in seconds
- route any/all oscillators to state variable filter
- route any/all oscillators and/or filter output to flanger
- blip flanger rate at random intervals to random value
- all randomising can be seeded and looped on 1 to 32 bar cycle
- each randomised parameter has a different seed, set from one master seed
- detune in octaves, semitones and cents
- adsr volume envelope
- mono/polyphonic switch with adjustable portamento
boost : http://www.delamancha.co.uk/boost.htm
features
- dual band stereo compressors for low and high frequencies
- parallel compression mixes dry audio with compressed audio to preserve transients
- gain reduction indicators so you can see when compressors are working
- boost knob increases mix of wet signal
- gain knob increases input gain to desired compression level
- high and low knob increase output gain of each freq band
- all knobs are mapped to midi CC's
features
- dual band stereo compressors for low and high frequencies
- parallel compression mixes dry audio with compressed audio to preserve transients
- gain reduction indicators so you can see when compressors are working
- boost knob increases mix of wet signal
- gain knob increases input gain to desired compression level
- high and low knob increase output gain of each freq band
- all knobs are mapped to midi CC's
kitchen sync : http://www.delamancha.co.uk/kitchen_sync.htm
kitchen sync is a tempo-sync complex LFO that modulates 4 functions
- 4 state filter (LP, HP, BP, notch)
- flanger
- volume
- panning
features
- tempo-sync LFO with multiple waveforms modulated by second LFO and/or ADSR envelope
- both LFOs can be synced to start cycle by any midi note on message
- ADSR envelope can be triggered by any midi note on message
- 4 effects can be modulated: filter cutoff, flanger, volume, pan
- LFO 1 phase, depth and offset can be different for each effect
- LFO 2 phase, strength and origin can be different fo each effect
- ADSR envelope is independant for each effect
- LFO depth can be randomised each cycle
- full midi CC / midi learn
- plugin wet/dry mix control
kitchen sync is a tempo-sync complex LFO that modulates 4 functions
- 4 state filter (LP, HP, BP, notch)
- flanger
- volume
- panning
features
- tempo-sync LFO with multiple waveforms modulated by second LFO and/or ADSR envelope
- both LFOs can be synced to start cycle by any midi note on message
- ADSR envelope can be triggered by any midi note on message
- 4 effects can be modulated: filter cutoff, flanger, volume, pan
- LFO 1 phase, depth and offset can be different for each effect
- LFO 2 phase, strength and origin can be different fo each effect
- ADSR envelope is independant for each effect
- LFO depth can be randomised each cycle
- full midi CC / midi learn
- plugin wet/dry mix control
merci
j en ai testé deja y en a ki sont pas mal.....
j en ai testé deja y en a ki sont pas mal.....
kiwee wrote :
merci
j en ai testé deja y en a ki sont pas mal.....
Kool Kiwee .... j en ai encore à mettre en ligne.. repasse à l ocazzz ... merci de ton com ça fais plaizzzz
vous avez le lien pour ce plugg
gracias!!!
je n en suis pas l auteur .. envoie un mp a la personne en question ( jaws ) ...
de plus il me semble que ce n est pas un vst en free download .. si tu trouve un lien se serra je crois bien une version craké à confirmer ( les cracks sont interdit sur le forum ...) ..
de plus il me semble que ce n est pas un vst en free download .. si tu trouve un lien se serra je crois bien une version craké à confirmer ( les cracks sont interdit sur le forum ...) ..
hey hey
les itchy sont cool.....
il est vrai que ce sont pas tous des avions de chasses!!!!
mais ca vaut quand meme la peine de les testé
PEACE
les itchy sont cool.....
il est vrai que ce sont pas tous des avions de chasses!!!!
mais ca vaut quand meme la peine de les testé
PEACE
ok no problemo.....
kiwee wrote :
vous avez le lien pour ce plugg
salut kiwee .... la reponse de jaws a propos du vst en question..
a l avenir merci aux personnes postant sur ce topic... de ne pas poster pour rien dire... merci de votre comprehension ...
VoCoGaTe : http://www.kvraudio.com/get/4646.html
Originally made to process vocal samples in a pitch shifter and a gater, VoCoGaTe can make infinite percussion variations. Many random options help to create patches. It is not an easy instrument to program but one can achieve some cool sounds with a bit of a time and patience.
VoCoGaTe comes in Pro and Free versions. The free version has some restrictions but it is fully usable and allows to save/load one preset at a time.
Originally made to process vocal samples in a pitch shifter and a gater, VoCoGaTe can make infinite percussion variations. Many random options help to create patches. It is not an easy instrument to program but one can achieve some cool sounds with a bit of a time and patience.
VoCoGaTe comes in Pro and Free versions. The free version has some restrictions but it is fully usable and allows to save/load one preset at a time.
Phenome : http://www.kvraudio.com/get/4644.html
Phenome is an eight-part multi-timbral SoundFont Player VSTi.
Features:
* 8 part/layer multi-timbral
* Selectable MIDI channel for each layer.
* Loading and saving of multi-setups.
* Supports standard patch/bank selection.
* Various interpolation methods.
* High quality 8x oversampling.
* Volume/panning for each layer.
* Selectable keysplit for each layer.
* Fine- and semi-tuning.
* Built in phrase arpeggiator with step/gate mode.
* Built in multimode filter.
* Built in unison/widener.
* Built in stereo delay, mono delay and chorus.
* Built in tremolo/vibration effect.
* Flexible polyphonic note-stealing.
* Three fx-sends per layer.
* 8 stereo (16 mono) audio outputs.
* 256 voice polyphony (8x 32 voices).
* Fully automatable.
* MIDI learn for any knob/fader/dial.
* Total recall.
* VST2.0 compliant.
* Low CPU usage / low RAM overhead.
* 500 MB factory library available via download.
Phenome is an eight-part multi-timbral SoundFont Player VSTi.
Features:
* 8 part/layer multi-timbral
* Selectable MIDI channel for each layer.
* Loading and saving of multi-setups.
* Supports standard patch/bank selection.
* Various interpolation methods.
* High quality 8x oversampling.
* Volume/panning for each layer.
* Selectable keysplit for each layer.
* Fine- and semi-tuning.
* Built in phrase arpeggiator with step/gate mode.
* Built in multimode filter.
* Built in unison/widener.
* Built in stereo delay, mono delay and chorus.
* Built in tremolo/vibration effect.
* Flexible polyphonic note-stealing.
* Three fx-sends per layer.
* 8 stereo (16 mono) audio outputs.
* 256 voice polyphony (8x 32 voices).
* Fully automatable.
* MIDI learn for any knob/fader/dial.
* Total recall.
* VST2.0 compliant.
* Low CPU usage / low RAM overhead.
* 500 MB factory library available via download.
MiniSpillage : http://www.kvraudio.com/get/4210.html
MiniSpillage is a drum synthesizer plug-in with a high resolution DSP audio engine and a custom set of synthesis algorithms designed exclusively for original electronic percussion sounds. MiniSpillage is not a recreation of classic drum machine glories nor a homage to the past but instead aims to break new ground and provide the modern musician with an original electronic percussion instrument.
Features:
* Custom synthesis algorithms.
* Exclusive percussion models.
* High resolution 64 bit DSP engine.
* Precision ADSR envelopes.
* Fluid real time control.
* Clean and intuitive GUI.
* Efficient optimized design.
MiniSpillage is a drum synthesizer plug-in with a high resolution DSP audio engine and a custom set of synthesis algorithms designed exclusively for original electronic percussion sounds. MiniSpillage is not a recreation of classic drum machine glories nor a homage to the past but instead aims to break new ground and provide the modern musician with an original electronic percussion instrument.
Features:
* Custom synthesis algorithms.
* Exclusive percussion models.
* High resolution 64 bit DSP engine.
* Precision ADSR envelopes.
* Fluid real time control.
* Clean and intuitive GUI.
* Efficient optimized design.
Podium : http://www.kvraudio.com/get/834.html
Podium is a modern production host that integrates audio recording, VST plug-ins and external MIDI and audio gear. An object based project structure allows for advanced media and device management.
Feature highlights:
* Hierarchic track layout.
* Integrated sound editor.
* Surround sound.
* Spline curve automation.
* 64-bit mixing.
* Multi-processing.
* Stylish and customizable user interface.
Development concentrates on quality and stability. Software updates are released frequently with an active user-driven development cycle.
Podium is a modern production host that integrates audio recording, VST plug-ins and external MIDI and audio gear. An object based project structure allows for advanced media and device management.
Feature highlights:
* Hierarchic track layout.
* Integrated sound editor.
* Surround sound.
* Spline curve automation.
* 64-bit mixing.
* Multi-processing.
* Stylish and customizable user interface.
Development concentrates on quality and stability. Software updates are released frequently with an active user-driven development cycle.
Freeverb3_vst : http://www.kvraudio.com/get/2882.html
Freeverb3_vst is a set of VST plug-ins that utilize the freeverb3 library to perform reverb processing and impulse response processing of audio data.
Freeverb3_vst is a sound processing library which includes sampling rate scaling enabled version of freeverb with some fixes, extended implementation of N Reverb by CCRMA and implementation of impulse response convolution reverb. This library's oversampling feature provides higher quality of audio processing.
Effects in Freeverb3:
* Reverb Impulse Response Processor: This uses FFTW3. This includes fast zero latency multithread algorithms.
* Enhanced Freeverb: More precise processing.
* Stereo Enhancer: Simple differential stereo enhancer.
* Enhanced NVerb: Stereo-spread and feedback enhancements.
* Softknee/Hardknee Compressor: Simple compressor with RMS/envelope detector.
* Softknee/Hardknee Limiter: Simple limiter with RMS/envelope detector.
* 1-Pole/1-Zero LPF/HPF.
* FIR LPF/HPF/BPF/BEF.
* Linear Phase 3band frequency splitter.
* Linear phase multi band compressor.
* Sampling Rate Converter: Wrapper of libsamplerate.
Freeverb3_vst is a set of VST plug-ins that utilize the freeverb3 library to perform reverb processing and impulse response processing of audio data.
Freeverb3_vst is a sound processing library which includes sampling rate scaling enabled version of freeverb with some fixes, extended implementation of N Reverb by CCRMA and implementation of impulse response convolution reverb. This library's oversampling feature provides higher quality of audio processing.
Effects in Freeverb3:
* Reverb Impulse Response Processor: This uses FFTW3. This includes fast zero latency multithread algorithms.
* Enhanced Freeverb: More precise processing.
* Stereo Enhancer: Simple differential stereo enhancer.
* Enhanced NVerb: Stereo-spread and feedback enhancements.
* Softknee/Hardknee Compressor: Simple compressor with RMS/envelope detector.
* Softknee/Hardknee Limiter: Simple limiter with RMS/envelope detector.
* 1-Pole/1-Zero LPF/HPF.
* FIR LPF/HPF/BPF/BEF.
* Linear Phase 3band frequency splitter.
* Linear phase multi band compressor.
* Sampling Rate Converter: Wrapper of libsamplerate.
Delay Lama : http://www.audionerdz.com/
Delay Lama is the first VST-instrument to offer both vocal synthesis and a real-time animated 3D interface. Its advanced monophonic vocal synthesis engine enables your computer to sound just like an Eastern monk, with real-time, high resolution control over the vowel sound. What's more, the plug-in window displays a 3D animation of a singing monk, that reacts directly to your input!
In addition, Delay Lama offers a simple but effective built-in stereo delay (you've guessed it), to give it just that extra bit of impressiveness.
Delay Lama is the first VST-instrument to offer both vocal synthesis and a real-time animated 3D interface. Its advanced monophonic vocal synthesis engine enables your computer to sound just like an Eastern monk, with real-time, high resolution control over the vowel sound. What's more, the plug-in window displays a 3D animation of a singing monk, that reacts directly to your input!
In addition, Delay Lama offers a simple but effective built-in stereo delay (you've guessed it), to give it just that extra bit of impressiveness.
Audiocation Freeware VST Plug-Ins
Compressor AC1, Equalizer AQ1
https://www.audiocation.de/en/plugin
The Audiocation Compressor AC1 was developed by specialists and provides high-speed response times (attack time 10 µs – 500 ms, release 50µs – 2 s) and an input with analog transformer simulation.
The fast control response times allow for subtly distorted sounds as well as strongly distorted sound effects.
The Audiocation Equalizer »AQ1« was developed by specialists.
Compressor AC1, Equalizer AQ1
https://www.audiocation.de/en/plugin
The Audiocation Compressor AC1 was developed by specialists and provides high-speed response times (attack time 10 µs – 500 ms, release 50µs – 2 s) and an input with analog transformer simulation.
The fast control response times allow for subtly distorted sounds as well as strongly distorted sound effects.
The Audiocation Equalizer »AQ1« was developed by specialists.
J1000 Alpha : http://www.kvraudio.com/get/4530.html
Alpha is an equalizer made primarily for mastering and sub-mixes. It separates stereo into mid and side signals and allows you independent equalization over both of them. Each of two sections consists of four identical peak filters, with four frequency ranges and four selectable Q factors.
The Loudness module is based on equal-loudness contour, it can operate dynamically and produces transparent and smooth frequency response. The Tilt module controls the spectrum slope, which results in brighter or darker overall sound. A Side channel HP filter has adjustable frequency, so you can tighten up the bass. If a mix sounds a little dull or flimsy in the upper range, there is saturation mode to enrich the treble.
Features:
* Separate mid/side processing.
* 4 peak filters per channel.
* Tilt and loudness modules.
* Saturation mode.
Alpha is an equalizer made primarily for mastering and sub-mixes. It separates stereo into mid and side signals and allows you independent equalization over both of them. Each of two sections consists of four identical peak filters, with four frequency ranges and four selectable Q factors.
The Loudness module is based on equal-loudness contour, it can operate dynamically and produces transparent and smooth frequency response. The Tilt module controls the spectrum slope, which results in brighter or darker overall sound. A Side channel HP filter has adjustable frequency, so you can tighten up the bass. If a mix sounds a little dull or flimsy in the upper range, there is saturation mode to enrich the treble.
Features:
* Separate mid/side processing.
* 4 peak filters per channel.
* Tilt and loudness modules.
* Saturation mode.
J1000 Beta : http://www.kvraudio.com/get/4531.html
Beta is similar in functionality to Alpha, but adapted to mixing needs. Its peak filter controls are the same. HP and LP filter faders control the cutting frequency, while small buttons next to them activate resonant slopes. The Tilt module offers a larger scale of spectrum tilting and has Flip L switch to achieve opposite responses for left and right channel. Sometimes it can be a more creative stereo tool than classic panning. If you want a subtle tool for enhancing timbral properties of an instrument or voice, rather than altering them beyond recognition, Beta will do just fine.
Features:
* 3 stereo peak filters.
* Tilt module with flip function.
* HP and LP filters with soft and resonant cutoffs.
* Saturation mode.
Beta is similar in functionality to Alpha, but adapted to mixing needs. Its peak filter controls are the same. HP and LP filter faders control the cutting frequency, while small buttons next to them activate resonant slopes. The Tilt module offers a larger scale of spectrum tilting and has Flip L switch to achieve opposite responses for left and right channel. Sometimes it can be a more creative stereo tool than classic panning. If you want a subtle tool for enhancing timbral properties of an instrument or voice, rather than altering them beyond recognition, Beta will do just fine.
Features:
* 3 stereo peak filters.
* Tilt module with flip function.
* HP and LP filters with soft and resonant cutoffs.
* Saturation mode.
AREX 2011 : http://www.kvraudio.com/get/4682.html
AREX 2011 is a free VSTi drum module based on a hardware drum machine from the early 1980s.
Features:
* 16 pads.
* 29 embedded drum samples of RX11.
* 12 individual/group outputs.
* Individual volume, pan, accent.
* Assignable MIDI note within 36 - 99 range.
* VST automation.
* MIDI automation of essential controls.
* Assignable MIDI CC#.
* 16 part multi-timbral MIDI Out flow.
* Can be used as a MIDI control surface of sorts.
* Bundled with RX11 MIDI swing templates and 55 demonstration patterns.
AREX 2011 is a free VSTi drum module based on a hardware drum machine from the early 1980s.
Features:
* 16 pads.
* 29 embedded drum samples of RX11.
* 12 individual/group outputs.
* Individual volume, pan, accent.
* Assignable MIDI note within 36 - 99 range.
* VST automation.
* MIDI automation of essential controls.
* Assignable MIDI CC#.
* 16 part multi-timbral MIDI Out flow.
* Can be used as a MIDI control surface of sorts.
* Bundled with RX11 MIDI swing templates and 55 demonstration patterns.
Binvert : http://www.kvraudio.com/get/4683.html
Binvert is a plugin made for possible problems that can occur in mixes when you use several bass drums and overall bass heavy material and the different bass sounds phase each other out. We often have situations when we think a phase shift on any of the sounds will fix the problem and it does, in the lower frequencies anyway but what happened with the nice mid and high transients? Binvert can help.
Binvert takes the signal and splits in into two bands (split point is adjustable between 20-400Hz). After the split there is a phase invert for both bands so you can invert the polarity of the two bands independently from each other. Problem fixed, the bass is still heavy and the mid/high transients stay crisp.
Noisebud attached a resonance control to the filter that isn't really supposed to be there at all, for fun. They use it to self-oscillate at low frequencies so it's a bit of a bass-drum-low-frequency-replacer-plugin.
Binvert is a plugin made for possible problems that can occur in mixes when you use several bass drums and overall bass heavy material and the different bass sounds phase each other out. We often have situations when we think a phase shift on any of the sounds will fix the problem and it does, in the lower frequencies anyway but what happened with the nice mid and high transients? Binvert can help.
Binvert takes the signal and splits in into two bands (split point is adjustable between 20-400Hz). After the split there is a phase invert for both bands so you can invert the polarity of the two bands independently from each other. Problem fixed, the bass is still heavy and the mid/high transients stay crisp.
Noisebud attached a resonance control to the filter that isn't really supposed to be there at all, for fun. They use it to self-oscillate at low frequencies so it's a bit of a bass-drum-low-frequency-replacer-plugin.
Noisebud Filter : http://www.kvraudio.com/get/4684.html
Noisebud Filter consists of 4 filters (or 16, depending on how you look upon it), they are switchable between Lo pass, hi pass, band pass and band reject filter.
The signals from the four filters are wired in a parallel chain. Every filter can be controlled by three different LFOs where one is tempo-synced; one normal and one extremely slow (a sLoFO).
The LFO sections also have something Noisebud call VariFO. It adds another movement to the LFO and makes it less predictable.
Noisebud Filter consists of 4 filters (or 16, depending on how you look upon it), they are switchable between Lo pass, hi pass, band pass and band reject filter.
The signals from the four filters are wired in a parallel chain. Every filter can be controlled by three different LFOs where one is tempo-synced; one normal and one extremely slow (a sLoFO).
The LFO sections also have something Noisebud call VariFO. It adds another movement to the LFO and makes it less predictable.
NastyDLA : http://www.kvraudio.com/get/4692.html
NastyDLA is a classic chorus echo device with tape-delay simulation.
The device enables:
* Classic chorus and echo effects.
* Authentic signal path coloration.
* Tape-delay style feedback and saturation.
Plug-in specification:
* Input stage model including signal coloration and non-linearities (switchable).
* Classic chorus/flanger effect with amount and rate control which automatically adopts to the delay line configuration.
* Frequency balancing filter for dead-easy overall tone adjustments in the feedback path.
* Two different feedback color modes.
* Feedback circuit and control which supports resonance up to self-oscillation.
* Standard DSP 12dB high-pass filter.
* Custom "tape style" low-pass filtering.
* Sophisticated "tape hiss" noise simulation.
* Negative or positive pre-delay.
* Comprehensive tape dynamics simulation taken from the core of the award winning FerricTDS.
* The dynamics offers a slight audio ducking effect (switchable).
* Two independent delay lines with up to 3sec delay time and sync to host.
* Delay time modulation with two different modes.
* Additional phase distortion (switchable).
* Audio level metering display.
* Dry/wet controls plus "wet only" option.
* Power / bypass switch.
* All parameters available through host automation.
NastyDLA is a classic chorus echo device with tape-delay simulation.
The device enables:
* Classic chorus and echo effects.
* Authentic signal path coloration.
* Tape-delay style feedback and saturation.
Plug-in specification:
* Input stage model including signal coloration and non-linearities (switchable).
* Classic chorus/flanger effect with amount and rate control which automatically adopts to the delay line configuration.
* Frequency balancing filter for dead-easy overall tone adjustments in the feedback path.
* Two different feedback color modes.
* Feedback circuit and control which supports resonance up to self-oscillation.
* Standard DSP 12dB high-pass filter.
* Custom "tape style" low-pass filtering.
* Sophisticated "tape hiss" noise simulation.
* Negative or positive pre-delay.
* Comprehensive tape dynamics simulation taken from the core of the award winning FerricTDS.
* The dynamics offers a slight audio ducking effect (switchable).
* Two independent delay lines with up to 3sec delay time and sync to host.
* Delay time modulation with two different modes.
* Additional phase distortion (switchable).
* Audio level metering display.
* Dry/wet controls plus "wet only" option.
* Power / bypass switch.
* All parameters available through host automation.
SpatSynth : http://www.kvraudio.com/get/1075.html
Subtractive synth:
* 2 oscillators
* 1 multimode resonant filter
* 3 LFOs
* 2 envelopes
* Frequency modulation and synchro between the two oscillators
* 8 modulated outputs with gestual control of the most important parameters associated with spatial movements.
* 10 notes polyphony.
Subtractive synth:
* 2 oscillators
* 1 multimode resonant filter
* 3 LFOs
* 2 envelopes
* Frequency modulation and synchro between the two oscillators
* 8 modulated outputs with gestual control of the most important parameters associated with spatial movements.
* 10 notes polyphony.
Pulsation Lite : http://www.kvraudio.com/get/2906.html
Pulsation Lite allows you to explore pulse wave synthesis in a simple and easy to use manner. Included are tuning, pulse width, effects and modulation options to further shape the sounds. Although limited to pulse wave synthesis you can create a wide range of sounds.
Features:
* 4 pulse-waves each with LFO and ENV modulation options with visual graph for waveform shape.
* 4 stage ADSR amplitude envelope with visual graph for envelope shape.
* Keytracking filter with low-pass, high-pass, band-pass, band-reject, and peaking configurations.
* 4 stage ADSR filter envelope with visual graph for envelope shape.
* Tempo-syncable sine, saw, square, triangle, or noise LFO to modulate filter and pulse-widths.
* Multi-effect delay, chorus, and distortion each with toggles and mix knobs.
* Easy 1 knob velocity adjustment and modulation wheel amount adjustment.
* Pitchbend range from -12 to +12 steps.
* Tune from -5 to +5 octaves and 12 semi-tones per octave adjustment.
Pulsation Lite allows you to explore pulse wave synthesis in a simple and easy to use manner. Included are tuning, pulse width, effects and modulation options to further shape the sounds. Although limited to pulse wave synthesis you can create a wide range of sounds.
Features:
* 4 pulse-waves each with LFO and ENV modulation options with visual graph for waveform shape.
* 4 stage ADSR amplitude envelope with visual graph for envelope shape.
* Keytracking filter with low-pass, high-pass, band-pass, band-reject, and peaking configurations.
* 4 stage ADSR filter envelope with visual graph for envelope shape.
* Tempo-syncable sine, saw, square, triangle, or noise LFO to modulate filter and pulse-widths.
* Multi-effect delay, chorus, and distortion each with toggles and mix knobs.
* Easy 1 knob velocity adjustment and modulation wheel amount adjustment.
* Pitchbend range from -12 to +12 steps.
* Tune from -5 to +5 octaves and 12 semi-tones per octave adjustment.
Anenome : http://www.kvraudio.com/get/386.html
* 2 oscillators.
* Octave, semitone and fine tune on 2nd oscillator.
* Oscillator mix setting.
* Up to 16 note polyphonic.
* 1 LFO routable to 6 different parameters.
* Low pass, hi pass, band pass and band reject filters.
* LFO can be free or retriggered on key press.
* MIDI automation.
* Volume and filter envelopes.
* 2 oscillators.
* Octave, semitone and fine tune on 2nd oscillator.
* Oscillator mix setting.
* Up to 16 note polyphonic.
* 1 LFO routable to 6 different parameters.
* Low pass, hi pass, band pass and band reject filters.
* LFO can be free or retriggered on key press.
* MIDI automation.
* Volume and filter envelopes.