[ vst / vsti free download ] - pc / mac - mise à jour régulière....

Eclipse : http://www.kvraudio.com/get/1429.html



Features:

   * 16 harmonics to use alone or as modulators.
   * 2 LFOs.
   * 1 24db filter.
   * 1 amp ADSR.
   * 1 carrier oscillator with envelope modulation and octave switch.
   * Switchable mono / poly mode with glide level.

NorthPole : http://www.kvraudio.com/db/northpole_by_prosoniq



NorthPole is a resonant filter with distortion and delay.

Features:

   * 24dB/Octave (4 pole) Low Pass and Band Pass Filter.
   * Variable Cutoff + Resonance.
   * Lowpass/Bandpass switchable.
   * Envelope Follower with adjustable sensitivity.
   * Envelope attack/release times.
   * Adjustable distortion.
   * Adjustable digital delay after filter with time, mix and feedback parameters.

Red Shift Pickup Replacer : http://www.kvraudio.com/get/3804.html



RedShift allows you to replace the tone of your guitar's pickup with a huge list of alternatives and provides you the versatility you need without having to spend money on several guitars.

From active rail pickups to lipstick-style single coils, from warm 50's humbuckers to high output modern varieties, RedShift covers every style of playing. Additionally, Red Shift allows you to change the material that makes up the body of your guitar. In addition to providing a variety of woods, AcmeBarGig decided to provide you with some more interesting options. Guitars made of pyrex, granite, and even human tissue, are available for those who aren't afraid to experiment.

Features:

   * Simulate replacing your guitar's pickups and its material.
   * Bypass the material changing section if you just want to change the pickups.
   * Get tones out of your guitar that you had never imagined to be possible.
   * Volume adjustable in three stages of the processing.

Trance Gate : http://www.kvraudio.com/get/3831.html



TranceGate is best described as a tremolo on steroids. The collection of vertical bars at the top of the screenshot represent volume levels. The signal can be described as traveling from the far left of the bars to the far right of the bars, and as it hits each bar, the volume level of that bar is applied to it. If the bar is all the way at the top, the volume level is full, likewise all the way down it is off. The speed of the effect is controllable via the host tempo and the note duration control. There is also an adjustable sweeping filter, featuring 5 different wave form shapes and 6 different types of filters. Also included is a proprietary AcmeBarGig mono/stereo delay from DIG.

Features:

   * Powerful tremolo effect, consisting of individually adjustable bars for setting the volume levels of each stage of the tremolo.
   * Depth knob allows for a variety of uses, from subtle to over the top excess.
   * Sweeping filter, with 5 wave forms and 6 filter types.
   * Mono/Stereo delay.
   * Each section individually bypassable.

AutoSpectre 246 : http://www.kvraudio.com/get/1582.html



Description:

   * Transformation of a stereo signal into 5.1 surround format.
   * Division of the two audio inputs by three crossover filters, plus a low pass.
   * Routing of the eight resulting filter bands on six outputs.
   * Independent levels and mix control.

SpatVerb 88 : http://www.kvraudio.com/get/1400.html



Octophonic reverberation with 8 inputs / outputs, separate parameters for each channel.

Filterizer : http://www.kvraudio.com/get/1239.html



Filterizer is a simple state-variable filter that allows the filter cut-off frequency to be controlled by MIDI note number.

Analog Warfare : http://www.kvraudio.com/get/1884.html



Features:

   * 2 Standard modelled oscillators.
   * 1 Phase distortion modelled oscillator.
   * 2 (Osc AB and BC) Ring Modulators.
   * 3 Independent Clippers.
   * 3 Independent Amp envelopes.
   * 3 Independent SV filters with Crossmix.
   * 3 Independent filter envelopes.
   * 1 Modulator envelope.
   * 1 Frequency Modulation Envelope module.
   * 1 Modulator with many sources and 78 destinations.
   * 2 BPM synced LFO's with many sources and 2x78 destinations.
   * Total of 234 routing options.
   * 2 BPM synced filter delay's with auto-panning and auto-crossing.
   * Stereo chorus L/R.
   * Double purpose CV/Groove Sequencer.
   * 1 Phrase arpeggiator with groove control.
   * 4 Panels (effects / arpeggiator-CV / Groovesettings / miscellaneous / about).
   * 64 Standard editable patches.

DoublePrecisionEqualizer : http://www.kvraudio.com/get/4663.html



DoublePrecisionEqualizer got its name because it uses "double precision floating point stream" in the critical parts of the calculations. This is meant to be a good and clean sounding EQ with minimal digital artifacts and a practical and informative UI for the user. It supports all sampling rates up to 192khz.

Features:

   * High pass filter (8-pole).
   * Low shelf filter (2-pole).
   * 4 peak filters (2-pole).
   * High shelf filter (2-pole).
   * Low pass filter (adjustable 2-8-pole).
   * Noise generator/ attenuation knob.
   * Trim knob.
   * Time travel slider to change character of the sound.
   * Mono/Stereo switch.
   * Off/On switch.
   * Broken on/off switch to get some crazy sound.
   * FFT display.
   * VU and peak meters.
   * Frequency response graph with controllable nodes.
   * Left click mouse over and under node (white text/ring) to change Q and slope.
   * Ctrl + left mouse click to default knobs.
   * Shift + left mouse click and drag to get precise knob movement.

TAL-Filter II : http://www.kvraudio.com/db/tal_filter_ii_by_togu_audio_line




TAL-Filter-2 is a host-synced filter module with different filter types, panorama and volume modulation possibilities.

The device includes all 4x oversampled TAL-NoiseMaker filters: LP 24 dB, LP 18dB, LP 12dB, LP 6dB, HP 12 dB, BP 12dB, N 12 dB. It's possible to saturate / distort the input signal by raising the input volume with the input control (only if you use a filter as modulation type). It's also possible to modulate the panorama or volume of an incoming signal. This can be used for tremolo or trance gate effects. Panorama modulation maybe is useful to pan your percussion, hats or sound effects in the stereo room for more interesting rhythms and sounds.

Features:

   * Create host / beat synced modulations.
   * Easy to use graphical editor (double click deletes points, a click adds one).
   * 4x oversampled TAL-NoiseMaker filters.
   * Different filter types: LP 24 dB, LP 18dB, LP 12dB, LP 6dB, HP 12 dB, BP 12dB, N 12 dB.
   * It's possible to saturate / distort the input signal by raising the input volume (only for filters).
   * Panorama modulation (-3dB).
   * Volume modulation.
   * Different modulation tempo (x1, x2, .. x32).
   * Depth control as a simple way to control the modulation intensity.

merci pour ce topic  !!!
J en essayer quelques uns ... je ferai un retour tres vite

Yeap.....   kool  

Intéressant le TAL FILTER 2, je voulais quelque chose dans le genre pour faire des gates très précis facilement. Merci.

 kool que tu es trouvé ton bonheur

Blue Cat's FreqAnalyst : http://www.bluecataudio.com/Products/Product_FreqAnalyst/




Blue Cat's FreqAnalyst is a free spectrum analyzer plug-in that lets you monitor the spectral content of your audio signal in real time. It has been designed to provide extreme smoothness and high resolution for both time and frequency: unlike most spectrum analyzers, Blue Cat's FreqAnalyst is able to display continuous variations even with a very high frequency resolution, thanks to its unique smooth interpolation algorithms.

Most aspects of the audio to frequency display conversion can be managed, which lets you total control over the monitoring. A special thresholding system has been developed to help you see the important parts of the spectrum easily. In case you need extra precision in a particular frequency range, you can zoom the display and check the part of the graph you are interested in.

As shown in the screenshots, you can use the opacity management feature to make the plug-in window transparent and see what is behind: forget about your multiple display setup, you do not need it anymore! You can now check the spectrum of your mix and see your audio tracks behind. This feature is also particularly useful when you want to compare the spectrum of two tracks: just stack your two FreqAnalyst windows and see the difference!

WallsOfSound : http://www.kvraudio.com/db/wallsofsound_by_fractone




The idea with the WallsOfSound plug-in is to emulate, in a way most general as possible, the reverberant effects of sound traveling from sources to receivers in a three-dimensional space - bounded, fully or partially, by walls of specified sonic reflectivity coefficients. Rather than control reverb and echo with the conventional knob or slider-driven, single-dimensional delay parameters and the like, reverberant effects would be created by actually creating a virtual room and laying out sources and receivers in the three dimensions - a more intuitive approach.

WallsOfSound is compatible with these 3D room/floor planning/editing packages: Sweet Home 3D, Google Sketchup 8.

LePou Plugins releases LeCto VST for Mac : http://www.kvraudio.com/news/15544



LeCto is a free guitar amp simulator inspired by an American modern high gain head. This simulator has 2 channels with 3 modes on each channel. It can go from crunch (raw mode) to modern high gain (modern mode).

Features:

   * Oversampling: determines the signal oversampling; up to 8x.
   * Mono/stereo: determines the signal routing.
   * Input: controls the magnitude of the input signal.
   * Drive: controls the amount of gain.
   * Low: controls the low frequency.
   * Mid: controls the mid frequency.
   * High: controls the high frequency.
   * Presence: presence control.
   * Resonance*: controls the amount of resonance resulting from the interaction with the speaker cabinet.

* Only active on modern mode

LeCto is only an amp simulator, so you need to use a cabinet simulator.

Dominion : http://www.kvraudio.com/get/878.html



If you were searching for a tool to shape the envelope of a signal, giving you total control of the signal's attack & sustain phase, dominion is certainly something for you!

Features:

   * Envelope section. Adjust attack & sustain independently, regardless of input level. Plus, you have control over the envelopes' time constants. Imagine pulling a drummer up front or pushing him to the background by dragging just a single slider! Feel like moving the walls around him? Again, a single push enhances the room information or can make the sound really dry.
   * Saturation stage. Following digitalfishphones tradition, the plugin can help to reduce harshness often associated with digital recordings, giving back some warmth and life to your source by modeling classic analog equipment. The tonal character stays adjustable within a broad range.
   * High frequency details section. Similar to classic exciter circuits, this section allows you to brighten up a signal, giving transparency and depth by generating additional harmonics.
   * Non-clipping output stage. Like the endorphin compressor, a brickwall waveshaper circuit ensures that the output won't exceed -0.1dBFS, while remaining sonically clean.

Lil'Plug : http://www.kvraudio.com/db/lil_plug_by_ziondsp




Lil'Plug offers some warm, deep drive combined with a splash of smooth EQ.

Features:

   * Selectable input mode.
   * Smooth, warm drive mode for enhancing the sound.
   * Overdrive mode for adding some bite and tone.
   * Low boost button to bring out and solidify the bottom end.
   * High boost button to add clarity and shine.
   * 64-bit audio engine.

SpectraFive : http://www.kvraudio.com/db/spectrafive_by_ziondsp



SpectraFive is a five-band EQ.

Features:

   * Five-band EQ comprised of low-shelf, high-shelf and three parametric bands.
   * Each band provides selection between resonant and clean algorithm types, selectable roll-off slopes, resonance level and bandwidth.
   * Additional filter section with high-pass and low-pass filters, each with selectable clean or resonant algorithms, roll-off slopes and resonance levels.
   * Tone shaping section with four different settings to help further shape and fill out the sound.

vladg/sound releases "Molot" VST Compressor v0.2.112 : http://www.kvraudio.com/news/15852



vladg/sound has released beta version 0.2.112 of Molot, a new VST compressor plug-in with a GUI inspired by an old Soviet military device. It's available for Windows 32- and 64-bit and it is free.

MolotFeatures:

   * Aggressive hammering sound.
   * Suits for rock drums and bass.
   * Can be used on tracks and busses.
   * Very clean sound.
   * Switchable sigmoid attack curve.
   * Smooth saturation.
   * Mid-scoop EQ for simple tonal balance fix.
   * Built-in limiter for peaks suppressing.
   * Almost zero latency (2 samples).
   * Up to 8x oversampling.
   * USSR military style GUI.
   * Switchable language EN/RU.

----------------------------------------------------------------------------------------------------------------------

VTX releases VSTron - FX :http://www.kvraudio.com/news/15884



VTX has announced the release of VSTron, a new free VST effect plug-in for Windows that is well suited to create special FX sounds.

vtxvstron.jpgVSTron is capable of producing different kinds of effects such as laser sounds, fast LFOs, ascending/descending sweeps, filtered madness, bubbling bleeps or attacking ramps.

Initially inspired by the Korg Monotron the VSTron includes 1 Osc (Saw, Sine, Triangle, Ramp, Pulse, White Noise and Pink Noise) and 1 VCF Osc with 4 modes (Low Pass, High Pass, Band Pass, Band Reject) as well as 1 Main Envelope. To further modulate things you have 2 Envelopes and 2 LFOs that can be individually assigned to different parameters and some built-in effects such as Drive, Delay and Chorus.

--------------------------------------------------------------------------------------------------------------------



Google Powered Search:
in new window
MARVIN releases Tromine GT v0.1 - Drum Synth :http://www.kvraudio.com/news/15891



MARVIN has released version 0.1 of Tromine GT, a TR-808-style analog drum synthesizer.

trominegt.pngFeatures:

   * 16 Analog drum synthesizers :
         o Bass drum.
         o Snare drum.
         o Low tom / Low conga.
         o Mid tom / Mid conga.
         o High tom / High tom.
         o Claves.
         o Rimshot.
         o Maracas.
         o Hand clap.
         o Cowbell.
         o Crash cymbal.
         o Closed hihat.
         o Open hihat.
   * 9 outputs.
   * MIDI CC support.
   * Automation support.

Tromine GT is free and is available for Windows as a VST instrument plug-in

------------------------------------------------------------------------------------------------

salut a tous

je vous donne le lien pour tout les autres vst gratuits qui n ont pas ete cité

http://free-plugin-list.com/

@+ kiwee

yeap kiwee kool ton lien...

mais tu as ouvert un nouveau compte sur TG ...???


c est bien toi ci dessous..?

salut kristof wép c est bien moi

mais en faite je n arive pas a remettre mon ancien compte je ne retrouve pu l ancien mot de passe et ce n est pas peine d avoir essayé.

AQUAVOX : http://www.acustica-audio.com/index.php?option=com_content&view=article&id=83&catid=48&Itemid=153




A Powered by Nebula product, AcquaVox is a simple to use - yet world class – emulation of a classic, highly revered preamp.  Perfect for adding warmth to recorded instruments like guitars and drums, and for imparting analog feel to vocal tracks.
Best of all, AcquaVox is a FREE product!

Specifications:

   * VST (Windows, Windows X64, , Mac OS Leopard/Snow Leopard)
   * Recommended CPU: Intel 1Ghz
   * Recommended RAM: 1 Gb
   * Requires VST compatible host for operation








AcquaVox_Screenshot_SmallAcquaVox is the first of many standalone plugins in the Powered by Nebula product line.

Nebula is a highly sophisticated emulation engine, utilizing brand new technology to recreate the unique and desired idiosyncrasies of analog hardware inside your DAW.

LoudMax : http://www.kvraudio.com/db/loudmax_by_thomas_mundt




LoudMax is a Look-Ahead Brickwall Loudness Maximizer with a clean transparent sound. It is designed to retain the original character of the music as much as possible even at high compression levels.

Main range of application:

   * Audio Mastering.
   * Output Limiter/Maximizer for web radio stations.

Controls:

   * One slider for threshold, one for the output level.
   * Meters for input, output and gain reduction in relation to the desired threshold.

Features:

   * Supported Samplerates: 2kHz - 384kHz.
   * Latency, Look-Ahead and Attack Time: 1.25ms.
   * Release Time: Automatic - depending on the input signal.
   * Possible Overdrive without audible distortion: 740dB.
   * Low CPU usage.

merci pour les bonnes adresses .......vais tester ça sur fl studio

De rien KOSMIK..  bon test à toi..

BUNDLE KARMA FX : http://karmafx.net/?id=1#a1



KarmaFX Plugin Pack Specifications
KarmaFX Filter: A simple stereo filter plugin
# One Two Pole Multimode Filter (-12dB/oct).
# Adjustable frequency, resonance (Q) and saturation drive.
# Selection of Lowpass, Highpass, Bandpass or Bandstop output.
# Two One Pole filters (LP, HP, -6dB/oct) with adjustable frequency.
# Filter series: In -> Two pole -> One pole -> One pole -> Out.
# Filters can be turned on or off (bypassed).

KarmaFX Deelay: A tempo controlled stereo delay.
# Two independent delay lines.
# Coarse delay (0-16 beats/4) and fine delay (1 beat/4) adjustment.
# Up to 4 second delay time (per channel) at 96kHz (8s at 48kHz).
# Dry out, wet out, tempo sync control (auto/or 60-200 BPM)
# Adjustable cross delay feedback mixer (pingpong).
# Feedback gain and tap level adjustment.
# Lowpass and Highpass filter with adjustable frequency (-6dB/oct).
# Resonance with adjustable freq and Q.
# DC block in feedback (-3dB at 30Hz).
# 5 ready made presets.

KarmaFX Equalizer: A 31 band graphic stereo equalizer.
# 31 unique adjustable bands.
# Fixed center frequencies ranging from 20Hz to 20kHz.
# Accurate analog simulation of Boost and Cut EQ filters.
# Fully symmetrical (reciprocal) filter response.
# 6, 12 and 24 dB boost/cut for gentle, medium and harsh equalization.
# Boost option for extreme 36 to 96 dB equalization.
# Low (20Hz-1kHz), Mid (1-5kHz), High (5-20kHz) or Full equalization.
# Optional low and high shelving.
# Adjustable overall mix and gain control.
# Reset button and keyboard shortcuts for easy editing.
# 11 ready made presets.

KarmaFX Reverb: A stereo reverb.
# 10 different reverb algorithms.
# Up to 10 seconds of reverberation time (decay time).
# Dry out, wet out, pan and signal mixer.
# Full 4 channel stereo mix.
# Mono, Stereo or Dual (cascade) mode.
# Up to 500 ms Predelay with adjustable synced feedback.
# Lowpass and Highpass filter with adjustable frequency (-12dB/oct).
# Damping adjustment controls internal (comb) filtering.
# Diffusion adjustment for increasing/decreasing spaceiousness.
# Early reflections adjustment (modeled from real impulse responses).
# More than 40 ready made presets.

OneKnobCompressor : http://www.kvraudio.com/get/4514.html



OneKnobCompressor is an easy-to-use compressor with saturation control.

   * Suitable for both mixing and mastering.
   * One knob style control for the compression.
   * Smooth sound with character.
   * Uses a parallel compression technique - as a result there is an increase in volume and compression without any "breathing" or "pumping" effect.

---------------------------------------------------------------------------------------------------------------

 C3 Multi Band Compressor : http://www.kvraudio.com/get/950.html



Features:

   * Three stereo compressors.
   * A master limiter.
   * Flexible dividing filters(ButterWorth Filter or LinearPhaseFIR Filter).
   * Sampling Rate: 44.1k, 48k, 88.2k, 96k support.
   * 32bit float internal precision.

---------------------------------------------------------------------------------------------------------------

 PC-2 Psychoacoustic Compressor : http://www.kvraudio.com/get/2760.html



Conventional compressors are based on peak or RMS-level estimation to compute their time-variant gain or attenuation. This property of most compressors often causes undesirable inter-modulation distortion and pumping/breathing artefacts.

PC-2 Psychoacoustic Compressor features a 'psycho-acoustic relevance' mode. Instead of using a peak or RMS-level estimation, this mode employs a perceptual loudness model to compute the loudness of the input signal. This perceptual loudness model is combined with advanced attack and release stages that model peripheral adaptation of the human auditory nerve. The result is a very transparent compression characteristic, even with very short attack and release times.

Alternatively, the simple, classic compression behavior can be engaged too by simply switching off the complex loudness model.

----------------------------------------------------------------------------------------------------------------